Professor Kirsty Fairclough Professor of Screen Studies; SODA Research and Innovation Lead

Professor Kirsty Fairclough

I am Professor of Screen Studies specialising in the intersections of screen cultures, popular music, film and celebrity. My research explores the ways in which popular culture shapes and reflects society, with a particular focus on music documentary, celebrity culture, and the evolving relationship between sound and visual media. I have published widely on these subjects and my work often addresses the mediation of celebrity, the politics of representation in music documentary, and the impact of digital technologies on cultural production and consumption.

I have worked extensively with cultural institutions and media organisations to bridge the gap between scholarship and industry. I have collaborated with organisations including the BBC, ITV and New York Times, and with cultural institutions including HOME, Manchester International Festival, Factory International, and Manchester Jazz Festival, where I served as Chair for six years. My research has been featured in media outlets, including BBC News, BBC Radio 4, BBC Radio 6, BBC Radio 2, The Guardian and Creative Review. I have delivered public talks at film and music festivals, and including SXSW, the BFI, and Glastonbury Festival.

Through my research, I challenge dominant narratives in media and popular culture, contribute to cultural policy discussions, and support the development of the creative industries both in the UK and globally.

With a commitment to fostering international collaboration, I have led high-impact partnerships between cultural organisations and higher education institutions in both the UK and the USA. My global reach includes teaching and research residencies at New York University, The Royal College of Music Stockholm, Columbia College Chicago, Bucknell University Pennsylvania, and Middle Tennessee State University.

I have supervised numerous doctoral candidates to completion and continue to collaborate with researchers exploring screen studies, popular music, sound studies, celebrity culture, and digital media.

Recent published works:

    • K. Fairclough. This is Me: Interrogating the Female Pop Documentary. Bloomsbury (forthcoming)

    • Attah, T, Fairclough, K and Lloyd, C. Re-Reading Musicians and Their Audiences. Bloomsbury (2025)

    • Fairclough, K, Halligan, B. Diva: Feminism and Fierceness from Pop to Hip-Hop Bloomsbury (2023).

    • Fairclough, K and Wood, J. Pop Stars on Film: Popular Culture in a Global Market. Bloomsbury (2022).

    • Fairclough, K. “Hold Up: Mapping the boundaries between Music Video and Video Art” in More than illustrated music. Hybridizing film, video art and music video. Bloomsbury Music and Sound Studies Series (2023)

    • Special Issue- Interactions Journal Studies in Communication and Culture: ‘Dream Factories: Prince, Sign O’ The Times, Box Sets & Cultural Artefacts.’ Intellect (2022)

    • American Music Perspectives Journal special issue 78-88: Prince, The First Decade: An Interdisciplinary Conference.

    • Fairclough, K and Alleyne, M. Prince and Popular Music Bloomsbury (2020)

    • McNally, K. Marcellus, J. Forde, T. Fairclough, K. (eds.) The Legacy of Mad Men: Cultural History, Intermediality and American Television. Palgrave (2020)

k.fairclough@mmu.ac.uk

@ProfKFairclough